Da Ming Xuan Tian Shang Di Rui Ying Tu Lu, a chapter in Taoist Canon, Book 19, Page 632.
A series of Painting/Drawing of Xuan Tian Shang Di appearing in the Celestial Realm and descending into the Mortal Realm at different period in the Ming Dynasty.
The Periods of the appearing & descending were being recorded clearly in the paintings. After doing in-depth researches by the Taoist Scholars & Priests, they summarized these Periods as a form of "Celestial Codes" that linked to a series of Predictions & Advises.
Till today, certain Predictions & Advises were yet to "solve" and the Taoist Society is looking forward to more results in the days to come.
原不題撰人。從內容看,應為明永樂年間道士編撰。一卷,收入《道藏》洞神部記傳類。本書記述明初修建武當山宮觀始末。武當宮觀在元末毀於兵火。明永樂十年秋,救命隆平侯張信、駙馬都尉沐昕等統帥軍民二十余萬修建武當宮觀;又命正一天師張字清選舉道士住持南岩宮、玉虛宮、五龍宮等處。本書記述在修建武當山時出現各種祥瑞,如“黑雲感應”,“榔梅呈瑞”等,皆繪成圖畫進呈朝廷,故書”名“瑞應圖錄”。本書之末,附錄永樂十三年明成祖禦;制《真武廟碑》一篇,碑文讚頌真武神輔助太祖平定天下,贊助永樂帝肅清內難,“其有功德於我國家者大矣”。故敕令修建武當宮觀,永永祀神。又於北京建真武廟,為神攸棲之所。由此可見明成祖耗費民力修建武當,旨在利用真武神化其統治。
For High Res Pics, please proceed to this link:
http://groups.yahoo.com/group/taoism_deity_singapore_2007/photos/album/171671911/pic/list
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